Character Profile Sheets are a great literary tool that help you in profiling your characters, especially the main characters of your story. They not only help you in being consistent with your character’s traits throughout your story or manuscript but also help a great deal in creating as well as painting the character arc you desire for your story.
Generally, a Character Profile Sheets consists of the main physical, mental, emotional and social traits of your character’s life and personality along with their general likes and dislikes, their taste in music, their occupation, and stuff like what they like to eat, what they don’t their allergies and different kind of health issues, etc, etc, etc. Basically, your Character Profile Sheet consists of everything about your character.
Character Profile Sheets can be as long or as short as your want them to be, but my advice would be to keep them detailed because detailed Character Profile Sheets lead to good characters and good characters leads to good characterisation.
Another great thing about Character Profile Sheets is that it greatly helps if you get stuck in a writing slump. Working your characters is a great way to jump start your brain to getting into the right mindset to start writing again.
Check out my video on Character Profile Sheets on YouTube or listen to its podcast on iTunes.
When it comes to Character Profile Sheets there are three things that you need to remember:
If you are a punster then start with a basic Character Profile Sheet to begin with and add details as you go further because starting with a detailed Character Profile Sheet can be very overwhelming. But if you are a plotter then you can straight away start with a detailed Character Profile Sheet.
No matter how long or short your character profile sheet is or how detailed or summarised it is always make room for character’s background in it because character background is very, very, very important an you need to be consistent with it throughout your story. Take it from someone who has written a book with a lot of characters, always make a room for character background in your Character Profile Sheet.
Your Character Profile Sheet will evolve as you make progress with your manuscript so always keep on revising your Character Profile Sheet along with each and every single draft of your story. Otherwise, there’ll be either no point of maintaining a Character Profile Sheet or it’ll get too confusing for you and ruin your manuscript.
So that’s Character Profile Sheets for you. If you want a ready reference with links to some really good Character Profile Sheets then read this article – Character Profile Sheets(the links are the end of the article.)
If you have any questions or doubts or want to discuss Character Profile Sheets with me then leave a comment below and I’ll get back to you ASAP.
As almost all the plotters would swear by, outlining a story helps a writer greatly in making sense of the story for the readers. We, as writers, know what our story is and how it plays out, the difficult bit is to put in into words in a systematic way and have it make sense to its readers the same way that it does for us. And this is where the story structures come into play.
I used to consider myself a hardcore plotter until I finally realised that I’m more of an intuitive person who writes by the seat of her pants as much as I rely on planning my stories. So now I try to find a balance between pantsing and plotting. And I personally see story structures as an adventurer’s maps – you can have all the adventures you want to have by following your intuition, but occasionally you need the maps to take you where you want to go, especially when you get lost or stuck.
I used the 3-Act Structure for plotting my first novel, Deceived, but for my second and third manuscripts, I needed something more extensive as they are more complex than my earlier work, so I used the 4 Act Structure. In this article, I’ll be introducing the 4-Act Structure and its benefits and use. If you wish to know more about the 3-Act Structure then you can read the following articles I wrote a while ago:
The 4-Act Structure is basically the broader version of the 3 Act Structure in which the elaborate ‘middle’ is broken into two separate acts. This method is very popular among writers especially those who write lengthy novels and the ones who struggle with the ‘infinite middle.’
Act-1: Setup of conflict
Act-2: Build-up
Act-3: Crises
Act-4: Resolution
Here’s a simple diagram to depict the 4-Act Structure:
This image is subject to copyright.
What are the advantages of using the 4-Act Structure?
There are many advantages to using the 4-act structure, just like any other outlining tool:
It helps in dealing with the overall story better, in an organized manner (just like any other story structure.)
It assists in specifically dealing with the problematic middle of the story – the 75% part of the story that is a bit vaguely structured in the 3-act structure of story writing.
It encourages in figuring out the problems with the story plot and in combing out the plot holes that would inevitably make your story weak.
It helps in understanding what exactly your story is lacking in order to make it into a near-perfect manuscript.
It even aids in recognizing, and then getting rid of, the redundant scenes, side stories and subplots.
It greatly helps in dealing with the most coveted enemy of any writer – writer’s block, when you get stuck in the inescapable limbo.
It also serves, for many writers, as a quick fix to complete the drafts within a particular timeline. It’s not necessarily a short cut, but can definitely be viewed as an answer to many plot-progression related problems.
When should the 3-Sct Structure be used? Before starting the first draft, in between or at the of the nth draft?
Over the course of the last couple of years, I’ve discovered the hard way that it’s always best to first write the first draft by the seat of your pants, no matter if you consider yourself a planner or a pantster, because the first draft has to be as unadulterated and pure as can be, and that would be possible only if you let your imagination take over your mind and the muse and instinct guide your hands. The story structure, whether it is a 3-act structure or the 4-act structure or even the 9-act structure, should be applied for the first time to the first draft once it is complete. Then as you progress, it depends on how often you want to adjust your story according to the structure; you can do it while you write or revise your drafts or before or after that. It is entirely up to you.
I have come to realise that if the story structures are applied to the story in the initial stage of the conceiving of the plot, before or right after beginning the first draft (which is far too complex and difficult than one might think) then it corrupts the authenticity of the plot that otherwise might have been and makes it feel constrained. And such writing often results in an amateurish end product.
Most of the writers don’t like to write in one place. And I am no different. I write wherever I feel like writing and it heavily depends on my mood as one day I find the living room very appealing and the next day I seem to find inspiration in the study room while at other times I prefer writing on the dining table in the dining area because I can see every corner of my house from there. But still, there is always one place in a writer’s home that is lovingly known as the “writing corner”, and for me, it is my home office – our study room.
My writing corner ❤
I have my very own desk which is actually pretty big and has two side extensions – two smaller tables with compartments – one for the desktop and one for the printer, I suppose. I keep my printer on the desktop table because I rarely use my desktop (and that too only as a hard drive for storing stuff that my Mac can’t store as it has got a massive storage capacity.) And I use the smaller table to keep my papers of the current project (god only knows how many papers I have scattered around the entire house!)
Also, I have a very snazzy and super comfortable chair that not only revolves but also reclines! Both, the desk and the chair were a gift from Vishal who himself has the same setup on the other side of the room (only his desk is pretty neat and has less of pens and papers and more of his layouts and designs and venue lists neatly stacked.
On the right-hand side of my desk (left side in the pictures) there a big window that gives me the view of the balcony outside the room and the gigantic Gulmohar tree that sprawls across our front garden. And the best part is that lots of birds, especially parrots, hang out on the lush branches of this amazing tree. We’ve also set up a small bird feeder right in the corner fo the balcony grill so they come there for that as well. And I cannot imagine a better place to sit in and think about and write my stories.
I always read craft books not once, but several times. I guess that’s the best way to really get the techniques and the wisdom they have to offer. Lately, I’ve been re-reading Bird By Bird by Anne Lamott and came across a concept, more like a paragraph or two, where author Lamott mentions about naming the unconscious:
“My friend Carpenter talks about the unconscious as the cellar where the little boy sits who creates the characters, and he hands them up to you through the cellar door. He might as well be cutting out paper dolls. he’s peaceful; he’s just playing.”
I paused at this particular bit, as I did the first time I read this book, and started thinking about how my unconscious would be?
Here she describes her friend’s version as a boy sitting in the cellar. But I don’t like the pictures of him sitting in confinement. I like her version of the unconscious better, “instead of a little kid, there’s a long-necked, good-natured Dr. Seuss character down there, grim with concentration and at the same time playing.”
So as I said earlier, I thought about my unconscious and this is what I came up with:
A Little Girl And Her Puppy
Image Courtesy: Pixabay
My unconscious, The Boy In The Cellar if you will, is a Little Girl. And this Little Girl is me, of course.
And the Little Girl is not alone; she has a puppy with her. A GSD puppy of about 4 months. And yes, this puppy is Tiger, my deceased pet.
So that’s my unconscious.
The Little Girl sits in the middle of the aangan of my childhood bungalow, on a stone-tiled floor on a thick faded rug called dari. She’s sitting cross-legged, wearing a beautiful white frock that hangs loosely from her thin wiry shoulders. Her dark-roasted-coffee-brown hair hanging down in waves reaching her waist.
Fair as she is, she has a small mouth and small ears but big brown curious eyes. She’s sitting with her coloring book sprawled luxuriously in front of her among her uncountable Camlin crayons of every color you could possibly imagine. They are the ones that her father gave her.
Now she’s bent over her book and scribbling away with cyan color. She looks happy today.
The Puppy is sitting beside her in a relaxed fashion that only 4-month-old puppies can manage. His head is resting on the girl small knee. He is looking at whatever the Little Girl is drawing with his droopy doggy eyes that look like they’re falling down. He’s a healthy Greman Shepherd and is big enough to come to her knees when she’s standing. He loves the Little Girl immensely and enjoys looking at her draw.
As I said, she looks good, happy. That makes me feel very good. And the important thing is she is not alone, she has the Puppy with her.
She loves drawing and therefore she is always drawing something or the other. Sometimes it takes her days, sometimes weeks and sometimes months or even years to complete a “masterpiece.” And when she’s done, she looks up from her work and calls me and hands me over those drawings.
Sometimes these drawings are so clear that I can clearly see what she has come up with, but sometimes they’re all blurred and abstract and it takes me a while to figure them out, to understand what is it that she wants me to see.
This is how my ideas come to me or rather delivered to me by my unconscious. The Little Girl is not a fragment of me, but she
The Little Girl is not a fragment of me, but she is me. This is how I get countless ideas for my books, characters, plots, sub-plots, short stories, flash fiction pieces, poems, etc.
This is how I write.
Takeaway:
If you are new to writing or if you are struggling with it, then I highly suggest this exercise. It’ll help you attain the very focus you need to center your creative mind.
What about you? Have you ever thought about how your unconscious works? Do you have a particular image of that unconscious?
Further Reading:
If you liked reading this article, then you might like these as well:
Choosing the main Point Of View(s) for your story is either the simplest or the hardest thing you’ll ever come across while writing your book. Determining the voice which narrates or unfolds your story is a tricky thing because if you select the wrong one your story is doomed.
Sometimes (a few precious instances), you don’t have to think about the POV because either you already have it figured out even before starting the story or know which one comes more naturally to you, the one that suits your writing style and feels like the perfect fit for your story. If you find yourself in this situation then consider yourself very lucky because otherwise, you might have a very hard time figuring it out.
Rest of the time (i.e., for the majority of your writing career), you won’t know how to go about determining the POV for your story. This happens mainly due to the unyielding need for perfectionism. You want your story to be perfect (obviously!) but you can’t figure out which should be the main or the central voice that tells the story.
Ideally, more than half of the times the answer lies in using multiple POVs, but that comes with another set of problems that I’ll be covering in my next article relating to POVs. But what if you don’t know which multiple POVs to use?
When stuck in the latter situation, you’ll find yourself in a dark endless pit which will drive you to the brink of giving up, and we certainly do not want that. So to make the process of selecting the perfect POV(s) for your story, I’ve come up with a list of 10 questions that you need to ask yourself in order to get the answer to your POV worries.
The 10 Questions:
How much you want to reveal? And how much you want to hold back?
Whose perspective will be interesting for the reader?
Who’s in the middle of most of the conflicts?
How much information about the plot/story you want to reveal?
How much information about the character you want to reveal?
How it’ll affect the pacing of the story?
What are you comfortable with? First person? Second Person? Or Third Person?
How’d you like the reader to perceive your character and story line?
Are there any parts of the story that need to be shown through different perspectives or through scenes that don’t have the main POV character(s) in them?
How many stories are you trying to tell? And are these stories a part of the main story?
The process doesn’t end here. Once you’ve asked these questions to yourself, it’s imperative that you don’t only answer these questions truthfully but also try to understand them in detail so as not to mess it up. Once you’ve laid out the answers, 99% of the times you’ll be able to figure out the POV(s) for your story. The remaining 1% is your gut feeling which will either confirm your decision and make you feel like you’ve conquered the world or (at it happens to me most of the times) will make you doubt everything you just did and will force you to repeat the entire exercise again (and again, till you get it right.)
If you want my advice, never ignore the gut feeling. Otherwise, you’ll regret it later on.
Watch my video podcast on 10 Questions To Help You Determine The POV(s) For Your Story:
If you have any doubts regarding this post or want to share your experiences or anecdotes then please leave a comment below.
Point Of View, casually known as POV, is one of the most important literary devices that is used in fiction writing. Determining the perspective from which the story is told is often the making or the breaking point of a novel.
If you make a wrong decision, your readers will be highly disappointed due to lack of plot coherence, and not only this, choosing the wrong POV also affects the bonding between the main characters and the reader, thus, affecting your novel on the whole. But if the point of view is chosen well, the readers will not only love your story and develop a memorable relationship with your characters but will also respect your writing and look forward to reading your other works.
Hence, it won’t be wrong to say that the choice of point of view and its execution shows the writer’s ability, efficiency, and dedication to their story. And in order to make the right choice you need to have an in-depth and precise knowledge about all the POVs before settling on one (or more) for your story.
Definition:
Point of View aka POV is the perspective from which a story is told. Point Of View is what can be called as the voice that tells the story to a reader.
Following are the 3 types of Point Of Views (POVs):
First Person Point Of View–
In First Person POV, the narrator is a character himself/herself. The story unfolds as a first-hand experience of the narrator or it can be said that the character is narrating the story.
The information is unreliable as its scope is limited depending entirely on the main character’s knowledge of/in any situation. For instance, if the character is delusional then it creates a problem if you’ll write the entire book from his perspective.
The First Person POV has recently garnered a lot of popularity as a lot of new authors are using it. The advantages of First Person POV is that the reader can relate to the main character quite easily and the bond that follows is very strong. But of course, it requires a high level of expertise to pull it off.
The pronouns used in First Person POV are – I, me and mine.
Types of First Person POV:
First Person Central POV: When the story is told from the point of view of the main character it is known as the First Person Central POV. This helps in developing an intimate bond between the main character and the reader. It often includes internal monolog, personal feelings, etc, which help in making the reader understand the main character inside-out.
First Person Peripheral POV: When the story is told from the point of view of a secondary or a minor character, who can also be an observer, is known as First Person Peripheral POV. This POV is detached and neutral and provides an objective look at the main character.
Popular books written in First Person POV:
To Kill a Mockingbird by Harper Lee
The Adventures of Huckleberry Finn by Mark Twain
Hunger Games Trilogy by Suzanne Collins
The Fault In Our Stars by John Green
Penryn And The End Of Days Series by Susan Ee
Twilight Saga by Stephenie Meyer
Second Person Point Of View–
In Second Person POV, the narration is addressed from one person to the second person.
The disadvantage of this POV is that it is difficult to relate to. It is a form of direct speech and the narrator or the character refers directly to the reader as “you.”
The Second Person POV is rarely used in fiction-writing, though there are some authors who use it for writing their novels. It is mostly used for instructional writing and how-to books.
The pronouns used in Second Person POV are –You, your.
Popular books written in Second Person POV:
Bright Lights, Big City by Jay McInerney
If On A Winter's Night A Traveler by Italo Calvino
You by Caroline Kepnes
All The Truth that's In Me by Julie Berry
Booked by Kwame Alexander
The Night Circus by Erin Morgenstern
Third Person Point Of View–
Third Person POV is the point of view in which a narrator (generally, the one who is not part of the story) tells the story.
This is one of the most widely used POV and most of the early literature and classic novels are written in this POV. A lot of contemporary writers still believe that only the stories written in Third Person POV are good, but of course, it’s their personal opinion.
The Third person POV helps the readers understand the main characters from a distance and many believe that this is what makes it so interesting and capturing.
The pronouns used in Third Person POV: He, she, it, him, her, they, them, its.
Types of Third Person POV:
Third Person Omniscient POV: Omniscient = All-knowing. In Third Person Omniscient POV the narrator knows and reveals the feelings, thoughts, and/or motivations of all the characters (at least partially.)
Eg. Unwind Series by Neal Shusterman.
Third Person Limited POV: In Third Person Limited POV the narrator knows and reveals the feelings, thoughts, and/or motivations of only a single character, the main character.
Eg. Harry Potter Series by J.K. Rowling.
Third Person Objective/Dramatic POV: In Third Person Objective POV the narrator knows and reveals no feelings, thoughts and/or motivations of any of the characters. Rather, the narrator reveals only the facts and details about the story.
Eg. The Scarlet Letter by Nathaniel Hawthorne.
Popular books written in Third Person POV:
Harry Potter Series by J.K. Rowling
The Lunar Chronicles by Marissa Meyer
The Mortal Instruments by Cassandra Clare
Maze Runner Series by James Dashner
The Scarlet Letter by Nathaniel Hawthorne
Watch my video podcast on POVs:
If you have any doubt regarding POVs or want to share your experiences or anecdotes then please leave a comment below.
While working on my first book, Deceived, I hit the much-dreaded writer’s block at a very crucial time – right when my book needed revising. It felt like I hit the bottom of my creative well and I had to abandon my manuscript for almost 2 months.
I was completely devastated and after a few fruitless weeks of consoling myself that I’ll get back to writing soon, I started panicking and then began wondering about my writing altogether.
I’ve had my fair share of writer’s block since I started writing 2 years ago, but this one was the worst I ever dealt with. I tried everything to get over it. Everything. I followed different versions of Writing Rituals, went for jogs, went out for dinners, read 15 books one after the other to break this bad spell of stupor, took full day’s off several times a week, tried writing flash fiction, tried doing Freewriting. But everything backfired and left me completely exhausted. 😦
Every time I tried to open my manuscript, I felt like staring at a blank wall for hours. It really frustrated me thatI, the girl-who-was-doing-so-good-with-her-writing suddenly turned into the girl-who-might-not-even-be able-to-complete-her-first-book!
It was literally one of the lowest points in my life because my first book meant everything to me.
At the end, almost giving up on my manuscript, I tried to divert my mind by agreeing to beta read a part of my Australian critique partner’s book. But then the most amazing thing happened!
As soon as I opened her book on my Mac and started reading it, I was struck by how beautiful and neat the file looked. And that was when it hit me.
I closed that file straight away and opened my own manuscript, and the moment I looked at the sad font of my manuscript and I knew why I wasn’t able to work further on it.
I immediately changed the of my MS from Courier Sans to Times New Roman. And…. Viola! Just like that, everything changed!
And the next thing I know, I was revising my manuscript!
I was done revising my manuscript in the next four days, and in those four days, I realized one thing – My book is really good!
You notice how I went from I-should-quit-writing to my-book-is-really-good? This is what I like to call as The Font Effect.
When I started writing my book’s first draft, I used the font Avener Book right till the time my manuscript was ready. Somehow writing in Avener Book helped me write for long hours without any headaches. I really liked it plus it looked beautiful in print. But when I was sending out the inquiries to Literary Agents, I formatted my manuscript according to the standard format and changed its font to 12 pt. Courier.
Since then my manuscript has been in Courieronly, and that’s where the problem began. Somehow my subconscious mind found it repulsive, or to be honest, plain ugly. I developed an aversion to Courier that I still can’t explain. I had a hard time reading more than a page at a time and that too without even it.
After changing the font to Times New Roman, I revised my book three times in one month, then edited it in the following month and sent it to my publisher (with whom I already signed an agreement by then) for the final editing.
Moral of the story – Fonts are very important. And we, as writers, should never underestimate their power.
As I see it, the importance of fonts, in general, is underrated, and most of the time their value gets completely lost amidst other “more important” things.
If you really think about it, fonts are one of the most used tools in a writer’s life.
Can you imagine what the hell would writers do without fonts?
What do you think about The Font Effect? What are your favorite fonts and why do you like them so much?
Feel free to share any stories or experiences you’ve had with fonts (or writing in general.) I love reading and replying to all your comments.
Freewriting is a very important prewriting technique that not only helps you to get over your writer’s block, but also to tap into your sub-conscience mind and see what all ideas and stories are hiding there.
Most of the times, we get stuck while writing a story, or an article, and simply don’t know what to write next, and sooner or later we find ourselves facing the age old problem – “What to write?”
The only thing that can solve this problem instantly is Freewriting. So, now you know why Freewriting is so important.
Today I will not only tell you what Freewriting is but also show you how it is done using a demo I recorded a few days back. I’ll also tell you how to pick up main streams of thoughts, or, as I like to call them, nuggets of gold, from any Freewriting session. (in order to watch only the demo, watch the second video: Ep. 04 – Freewriting Pt. 02)
Here’s my video podcast on Freewriting:
What is Freewriting?
Freewriting is a prewriting technique in which a writer writes continuously (without stopping) for a predetermined period of time, paying no heed to grammatical mistakes, typos, sentence structure or even the general order of words and sentences.
The whole point of doing Freewriting is that when the writer runs out of things to write consciously, he or she will unintentionally start to write unconsciously if they keep on writing. Don’t bother about what you’re writing. Simply keep on pushing till your predetermined time is over. As soon as the time’s up, stop writing. If you’re in the middle of a sentence, complete it and then stop entirely.
It unclogs your mind and starts a downpour of ideas. Most of the ideas will be crappy, but, trust me, you’ll find at least one idea that’ll be worth working on.
Remember, that it doesn’t matter how much you write or what you write, the only thing that matters is that you write.
How to do it?
Freewriting is the simplest of all writing techniques because you really don’t have to care about anything much other than writing. Following is the step-by-step method to do it:
Grab a pen & paper, or your laptop and open your writing screen.
Set a timer for a particular time (anything between 2-30 minutes.)
Write non-stop, without getting distracted by anything, and by that I mean ANYTHING! If you don’t know what to write, then simply start by writing that, “I don’t know what the hell to write but I’m writing anyway….” and so on.
Stop only when the timer goes off.
If you feel that you have more thoughts coming to your mind, then do another session of Freewriting in a similar way.
Freewriting Demo:
Are there any rules?
Yes. Following are the thumb rules of Freewriting:
Write in a distraction-free environment.
Don’t bother with the grammar or vocabulary.
You can write about absolutely anything
You can even write scenes or dialogues this way
You can even write about a particular topic in Freewriting sessions.
Don’t stop till the timer goes off.
If you’re new to writing then start with a Freewriting session of only 2 minutes and then gradually increase the time period
You can have multiple Freewriting sessions in a day.
You can also do a second round of Freewriting session, immediately after the first one.
Never delete your Freewriting sessions. Save them on a disk or on a cloud service (personally, I use DropBox.)
What to do next?
When you’re done with your Freewriting session, follow it through by selecting its and bits of ideas out of it:
Read what you’ve written.
Make notes – highlight the ideas you think are workable.
Work on these ideas in your next Freewriting session to get more flesh on the subject.
Keep on doing this till you know what are you going to write about and what are you going to write.
Freewriting will help you tremendously in not only improving your writing habits but also to find some of the best ideas you’ll ever come across. Freewriting is a lifesaver when it comes to writing First Drafts, because it is when you write the First Draft of your project you always get stuck wondering what to write next, and that’s when Freewriting comes in handy.
***
If you have any questions or doubts regarding this article then please ask them below in the comments sections and I’ll try my best to answer them as soon as I can. Also, please feel free to share your thoughts on this topic in the comments as I always love listening to all my readers.
The views expressed in this article are my own. This blog is under strict copyright laws and all trademarks have been registered. If you want to use content on your own site, you must ask permission first before you do so under the restrictions. Thank you!
A First Draft is one of the most basic entities of fiction-writing and it lays the basic foundation of a novel. If you’re a writer then you probably might have come across this term more than a thousand times already, and if not then you’ve come to the right place. Just for the sake of it, I’ll start this article with the definition.
You can watch the video podcast of this article on YouTube here:
A first draft is the first thing you write about a project, a book, a blog post (like this one) or even an idea in general. It simply means writing down your initial thoughts in order to figure out the project as a whole.
First drafts are mostly the unplanned version of an idea. It can even be fragments of a concept written together to help you move further in your story or project later on.
First draft of Deceived
“The first draft is just you telling yourself the story.”
– Terry Pratchet
2. Why is the First Draft important?
First Draft is not important, it is VERY important. If you won’t write the first draft of your novel, your thoughts will be scattered all over the place and you’ll struggle endlessly to put your ideas together coherently in a sensible form. Eventually, you might be able to get your thoughts organized, but it’ll waste a lot of your precious time.
A first draft helps you in discovering your characters, plot, and story-flow, and in building the three main pillars of your project – beginning, middle and ending.
The most important thing and the point of writing the first draft is to get the story on paper. To get it out of your mind and into this world. It’s like giving birth – unlikable to watch but necessary altogether.
It doesn’t have to be perfect because your next drafts will take care of that. All you have to do is, WRITE IT DOWN.
I’m writing a first draft and reminding myself that I’m simply shovelling sand into a box so that later I can build castles.
– Shannon Hale.
3. What is the purpose of writing a First Draft?
The main purpose of writing the first draft is simply getting to know what your story really is. And in order to do this just let go of any fear and qualms you have about your project because the first draft (FD) is something that you write for your own self.
Don’t worry about the complicated things like story structure, sentence development, world building, character development, conflicts, exposition or other things like that because you’ll be working on these elements later on. NOT in the First Draft.
So, before starting out, be clear about what the FD really is, so that you won’t give in to the editor inside your head and leave your FD halfway like many writers do.
First drafts are simply the raw form of your story; it’s a skeleton in the earliest of stages. Most probably you’ll be working for months on this project after the FD is done, so you can clean it up later on. LEAVE EVERYTHING ELSE FOR LATER, simply get the damn story out in your FD. It doesn’t matter if you’re following a sequence or not or if you’re are simply writing random scenes (I do this a lot in my FDs) or if you’re writing the story backward. It does not matter as long as you’re getting the ideas of your story on paper. It’s totally OKAY! What really matters is that you WRITE.
Remember, most of the time (actually, all the time) the final product is miles away from the idea that you initially began with. So don’t waste your time on detailing or organizing your FDs as it might not even make it to the final MS. But it is still important for you to write the FD because that is what will get you to the final MS.
“The purpose of the first draft is not to get it right, but to get it written.”
– John Dufresne
4. How to write a First Draft?
There’s no specific way of writing FDs, but to help you get an idea, following are the two ways in which one can write a First Draft:
Two ways of writing the FDs:
Simple Method (Recommended for beginners and pantsters.)
– Sit in a comfortable place and use a simple writing software that you are comfortable with and start writing without worrying about anything, especially not about editing or spelling mistakes.
– Start writing. Just try and focus on your story and forget about everything. If you feel the urge to edit, then simply console yourself by thinking that you’ll edit it in the next sitting.
– Continue writing this way (preferably every day) till you’ve got the entire thing written.
That’s it, you’ve just written your FD!
Advanced Method (Recommended for plotters, fantasy writers and for novelists who use specific timeline.)
– First of all, write down the rough outline of your story by using single words or only a few words to make sure you understand what’s to come where.
– Then create an equally rough timeline just so that you have a sense of the timing for whatever events you’ve planned for the story.
– Sit in a comfortable place and use a simple writing software that you are comfortable with and start writing without worrying about anything, especially not about editing or spelling mistakes.
– Start writing. Just make sure that you’re keeping a tab on your story outline while writing. More new ideas will come to you with the help of each outlining point. This will make you write more and get a better perspective of your story.
– Continue writing this way (preferably every day) till you’ve got the entire thing written.
That’s it, your FD is ready! By following this method you have a more elaborate and a clearer FD, which will help you while writing your second draft.
Note-I: Use a writing software that you’re most comfortable to use. Don’t get confused or mislead into using complicated software that you don’t know anything about. [I use Pages and/or Word for Mac. It helps me think straight and write fast.]
Note-II: As I said above, there’s no specific way to write FDs. You can write FDs in any way that is totally different to the ones above.
Again, it doesn’t matter. This is just something I came up with in order to help writers understand First Drafts better.
5. What to expect from First Drafts?
Rawness
Plot holes (Lots of them!)
Rough and incomplete storylines.
Raw sub-plotlines
Rough timelines
Half-built characters
Imperfect scenes
Weak endings
Inconsistent exposition
Flawed conflicts
Loose ends (a lot of them.)
Last, but not the least, tons of ideas!
“The first draft of anything is CRAP, but it’s infinitely better than NO draft.”
– Ben Arment.
6. What NOT to expect from the First Drafts?
Perfection
Adequacy
Complete Scenes
Final Story
Finished Characters
Brilliant Storyline
Magical endings
In short, First draft is the first step of a long staircase. You’ll have to be patient; there’s no other way.
What to do after completing the First Draft?
Rest? Take a break?
No… Do not take a break from your story after completing the FD. This is where a lot of writers go wrong (at least, as far as I know.) So trust me when I say, this is the right time to plunge deeper into your story.
When you’re done with the FD make sure that you re-read it a couple of times. After doing this you are ready to organize your story.
Move on to the next step of Character Development and Detailed Planning.
And then? Brace yourself for writing the Second Draft! (I’ll be writing a detailed article, just like this one, on Second Drafts (SDs) soon. So stay tuned!)
You can watch the video podcast of this article on YouTube here:
Terms Used:FD - First Draft
MS – Manuscript
SD – Second Draft
***
If you have any questions or doubts regarding this article then please ask them below in the comments sections and I’ll try my best to answer them as soon as I can. Also, please feel free to share your thoughts on this topic in the comments as I always love listening to all my readers.
The views expressed in this article are my own. This blog is under strict copyright laws and all trademarks have been registered. If you want to use content on your own site, you must ask permission first before you do so under the restrictions. Thank you!
Many times, new writers and authors are faced with the age-old dilemma where they have to revise and edit their manuscripts. But only some of them really know the difference between the two.
In this short article, you’ll find the basic difference between “editing” and “revising” that will help you differentiate between the two easily.
Editing:
Editing involves minor changes that polish your manuscript technically by focusing on the following:
Sentence structure
Punctuations
Spelling mistakes
Typos
Grammatical errors
Pointing out mistakes in the already revised text
While editing, the overall story remains the same. Here, fixing sentence structure is the priority.
Revising:
Revising involves major changes that refine your manuscript mechanically by focusing on the following:
Rewiting exsisting thoughts in a better way
Adding new thoughts
Adding new necessary details
Deleting unnecesarry details
Refining the story flow
Enhancing character development
Using better words and phrases
Rewriting paragraphs to make them better
Clarifying ideas
Enhancing plot growth
While revising, the overall story changes as per requirement. Here, fixing the story as a whole is the priority.
Generally, a Character Profile Sheets consists of the main physical, mental, emotional and social traits of your character’s life and personality along with their general likes and dislikes, their taste in music, their occupation, and stuff like what they like to eat, what they don’t their allergies and different kind of health issues, etc, etc, etc. Basically, your Character Profile Sheet consists of everything about your character.
Rest of the time (i.e., for the majority of your writing career), you won’t know how to go about determining the POV for your story. This happens mainly due to the unyielding need for perfectionism. You want your story to be perfect (obviously!) but you can’t figure out which should be the main or the central voice that tells the story.
