Tag: writing

A Winter Morning

I am a hopeless winter-person – you know, when a person goes overboard in hauling around shawls everywhere, wearing cardigans even when it’s barely cold, wearing socks while sleeping and using a heater or a hot water bag at night to warm the cold feet. I know I am not the only one so I decided to write this piece in order to give a shout out to all those beautiful people who love and adore and cherish winters as much as I do.

***

A Winter Morning

I wake up, suddenly from a dream, and feel the need to get some fresh air. Slowly I get out of bed, not wanting to wake him up as I know he had trouble sleeping early last night. But as soon as I set my feet on the wooden floor of our bedroom, I feel a sharp sting of cold and before I know it, it makes its way stealthily snaking and spreading through my toes and ankles, tickling the bare skin of my feet. I stand up quickly trying to find my slippers when a gust of cold breeze hits my face from the window beside my bed, suddenly my heart swells with happiness – winter is here!

Forgetting what I was about to do next, I quickly make way to the wardrobe, pulling it open frantically, taking out one of my favourite shawls – a pale blue one, oversized and thick. I slip into my slippers pulling the shawl over my shoulders and rush to the study room, which sits next to our bedroom. I open the curtains of the enormous window on the other side of the room overlooking the front garden of our home and the giant of a Gulmohar tree which happily covers half of the view. My hands tremble just a tiny bit with excitement and what I see fills my heart with such an enormous amount of content that  I haven’t known in a long time. It’s still somewhat dark outside, but I can see the faint orange-purplish glow of the rising sun slowly and steadily coming in view. I stand there in awe as the chirping of the birds gets louder and the leaves of the trees start rustling with their activity. The sun keeps rising ever so slowly as the world around me wakes up from their lazy dreams and cosy beds.

Both my cats come to me and rub against my legs purring with as much content as I feel from being a part of this beautiful morning. I sit down in front of the big window on the shag carpet and so does my little beauties. I scratch their backs as one of them settles in the crook of my folded legs and the other one curls right next to me on my shawl, her warm back resting against my thigh. They both start purring in a familiar rhythm, the younger one kneading on my legs looking lazily at me, while the elder one looking out the window considering if she should chase the birds off or sit in the warmth of my shawl.

The birds’ singing is louder now and it feels like they are calling out to the sun. Right then I smell heaven – the aroma of coffee wafting from the kitchen downstairs, not the instant one, but of strong espresso. I can also smell the faint undertones of hazelnut and smile that he has opened the new packet I bought 2 weeks ago. He was asleep when I woke up, but I think my shuffling through the cupboard woke him up and while I was enjoying the view with my furry-little girls, he went down and started the coffee machine. I think I fall in love with him a little more in that moment.

I look around me, then at my girls purring and sleeping and cuddling around me and when, at last, I hear the gentle footsteps of him coming upstairs, the smell of coffee leading ahead of him, I look at the sun that is almost risen completely now, showering me and the girls in its beautiful bright yellow rays that are filtering through the Gulmohar tree, I say a silent thank you to the Universe for all my blessings because at that moment I have everything that I have ever wanted, and will ever need, right there in that room with me.


 

Please note- This material is subject to copyright.

Character Profile Sheets (CPS) – Part 2

Character Profile Sheets are a great literary tool that help you in profiling your characters, especially the main characters of your story. They not only help you in being consistent with your character’s traits throughout your story or manuscript but also help a great deal in creating as well as painting the character arc you desire for your story.

Generally, a Character Profile Sheets consists of the main physical, mental, emotional and social traits of your character’s life and personality along with their general likes and dislikes, their taste in music, their occupation, and stuff like what they like to eat, what they don’t their allergies and different kind of health issues, etc, etc, etc. Basically, your Character Profile Sheet consists of everything about your character.

Character Profile Sheets can be as long or as short as your want them to be, but my advice would be to keep them detailed because detailed Character Profile Sheets lead to good characters and good characters leads to good characterisation. 

Another great thing about Character Profile Sheets is that it greatly helps if you get stuck in a writing slump. Working your characters is a great way to jump start your brain to getting into the right mindset to start writing again.

Check out my video on Character Profile Sheets on YouTube or listen to its podcast on iTunes.

When it comes to Character Profile Sheets there are three things that you need to remember:

  1. If you are a punster then start with a basic Character Profile Sheet to begin with and add details as you go further because starting with a detailed Character Profile Sheet can be very overwhelming. But if you are a plotter then you can straight away start with a detailed Character Profile Sheet.
  2. No matter how long or short your character profile sheet is or how detailed or summarised it is always make room for character’s background in it because character background is very, very, very important an you need to be consistent with it throughout your story. Take it from someone who has written a book with a lot of characters, always make a room for character background in your Character Profile Sheet.
  3. Your Character Profile Sheet will evolve as you make progress with your manuscript so always keep on revising your Character Profile Sheet along with each and every single draft of your story. Otherwise, there’ll be either no point of maintaining a Character Profile Sheet or it’ll get too confusing for you and ruin your manuscript.

So that’s Character Profile Sheets for you. If you want a ready reference with links to some really good Character Profile Sheets then read this article – Character Profile Sheets (the links are the end of the article.)

If you have any questions or doubts or want to discuss Character Profile Sheets with me then leave a comment below and I’ll get back to you ASAP.

Here are some more writing-related articles:

Thanks a lot for reading!

A Comprehensive Look At Literary Devices

As a writer, it becomes a necessity at some point or the other, to understand as many technicalities of the craft as possible. Whether you’re an intuitive writer or a deliberate one, there will be times when you’ll have to break the literary rules in order to create your masterpiece, but in order to do so, you first need to know what those rules are. So studying literary devices becomes essential and significant in order to become a better writer.

On the other hand, it is not only beneficial to know about literary devices as a writer, but also as a reader. As a reader, it will help you understand the purpose of the writing better and also to know the real focus of a particular written work. And, on a more practical note, it’ll help you write your school reports and book analysis or reviews better and score good grades (I’m sure that alone should be motivation enough.)

I have come to realise that it is a healthy practice to become a well-informed writer as well as a reader.

A Comprehensive Look At Literary Devices

 

 

 

The definition of a literary device on Your Dictionary, an online open dictionary source, is as a technique a writer uses to produce a special effect in their writing.

This definition is short and sweet but leaves a lot of unanswered questions in one’s mind. In order to fully understand the ocean of things hidden behind these two words, one needs to look at it very closely. So here’s my take on these two very beautiful words:

Literary devices are the techniques a writer uses in order to create a unique and powerful yet appropriate effect in their writing to help them influence the reader’s imagination while at the same time helping the reader to understand the writing effectively and on a much deeper level. It adds multiple layers of sense, feelings and emotions to the reader’s imagination and helps the writer in gripping the reader’s conception of their work in a very effective way.

To further understand literary devices better, they can be broken down into two parts:

1. Literary elements

Literary elements are elements used by the writer in the overall scheme of the things. Some of the main literary elements are:

  • Antagonist – a character, or a group of characters, which stands in opposition to the protagonist, which is the main character.
  • Characters – any person, animal, or figure represented in a literary work. There are many types of characters that exist in literature, each with its own development and function.
  • Conflict – A conflict in literature is defined as any struggle between opposing forces. Usually, the main character struggles against some other force. This type of conflict is what drives each and every story.
  • Dialogues – a technique in which writers employ two or more characters to be engaged in conversation with one another.
  • Mood – a literary element that evokes certain feelings or vibes in readers through words and descriptions. Usually, mood is referred to as the atmosphere of a literary piece, as it creates an emotional setting that surrounds the readers.
  • Moral – a message conveyed by, or a lesson learned from the story.
  • Narrative – a report of related events presented to listeners or readers, in words arranged in a logical sequence. A story is taken as a synonym of narrative. A narrative, or story, is told by a narrator who may be a direct part of that experience, and he or she often shares the experience as a first-person narrator.
  • Plot – literary term used to describe the events that make up a story, or the main part of a story. These events relate to each other in a pattern or a sequence. The structure of a novel depends on the organization of events in the plot of the story.
  • Point Of Views – he mode of narration that an author employs to let the readers “hear” and “see” what takes place in a story, poem, or essay.
  • Protagonist – the central character or leading figure in poetry, narrative, novel or any other story. A protagonist is sometimes a “hero” to the audience or readers.
  • Setting – the time and place in which the story takes place. The definition of setting can also include social statuses, weather, historical period, and details about immediate surroundings.
  • Structure – the arrangement of story elements according to purpose, style and genre.
  • Theme – the central topic or idea explored in a text.

2. Literary techniques

Literary techniques are the words or phases employed by the writers in their writing. Some fo the main literary techniques are:

  • Allegory – use of characters and events in a story to represent or deliver a broader message.
  • Alliteration – a series of words or phrases that all (or almost all) start with the same sound.
  • Allusion – an expression designed to call something to mind without mentioning it explicitly; an indirect or passing reference.
  • Anachronism – the action of attributing something to a period to which it does not belong.
  • Analogy – a comparison between one thing and another, typically for the purpose of explanation or clarification.
  • Antithesis – explaining an idea or thing by comparing it to something that is familiar.
  • Colloquialism – use of informal words, phrases, or even slang in a piece of writing.
  • Consonance – the recurrence of similar-sounding consonants in close proximity, especially in prosody.
  • Diction – the style of speaking that a writer, speaker, or character uses.
  • Epigraph – a short quotation or saying at the beginning of a book or chapter, intended to suggest its theme.
  • Euphemism – a mild or indirect word or expression substituted for one considered to be too harsh or blunt when referring to something unpleasant or embarrassing.
  • Flashbacks – a scene set in a time earlier than the main story.
  • Foreshadowing – a warning or indication of (a future event).
  • Hyperbole – exaggerated statements or claims not meant to be taken literally.
  • Irony – the expression of one’s meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect.
  • Imagery – use of language and description that appeals to our five senses.
  • Implied Metaphors – a word or phrase that compares two unlike things to more clearly describe them, without mentioning one of the things.
  • Juxtaposition – the fact of two things being seen or placed close together with contrasting effect.
  • Malapropism – the mistaken use of a word in place of a similar-sounding one, often with an amusing effect.
  • Metaphor – a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable.
  • Metonym – a word, name, or expression used as a substitute for something else with which it is closely associated. For example, Washington is a metonym for the US government.
  • Onomatopoeia – the formation of a word from a sound associated with what is named.
  • Oration – elaborate and dignified speech.
  • Oxymorons – a figure of speech in which two opposite ideas are joined to create an effect.
  • Paradox – a statement or proposition which, despite sound (or apparently sound) reasoning from acceptable premises, leads to a conclusion that seems logically unacceptable or self-contradictory.
  • Personification – giving human traits and qualities, such as emotions, desires, sensations, gestures and speech, often by way of a metaphor, to things.
  • Repetition – the recurrence of an action or event.
  • Similes – a figure of speech involving the comparison of one thing with another thing of a different kind, used to make a description more emphatic or vivid
  • Soliloquy – an act of speaking one’s thoughts aloud when by oneself or regardless of any hearers, especially by a character in a play.
  • Symbolism – using symbolic images and indirect suggestion to express mystical ideas, emotions, and states of mind.
  • Synecdoche – a figure of speech in which a part is made to represent the whole or vice versa.

So this is the in and out on literary devices. There are a lot more literary elements and techniques but the ones listed here are the main ones so they would be enough if you just want to know literary devices on the surface. But if you want to dig deeper, I’ll be writing another article in future exploring these and many other literary elements and techniques in detail.

If you are a new writer, or an established one stuck in a rut looking for inspiration, do read these articles:

Articles from Literary Devices and Stydy.com were of great help in finding the definitions for various literary devices for this article.

The 4-Act-Structure: Introduction

 

As almost all the plotters would swear by, outlining a story helps a writer greatly in making sense of the story for the readers. We, as writers, know what our story is and how it plays out, the difficult bit is to put in into words in a systematic way and have it make sense to its readers the same way that it does for us. And this is where the story structures come into play.

I used to consider myself a hardcore plotter until I finally realised that I’m more of an intuitive person who writes by the seat of her pants as much as I rely on planning my stories. So now I try to find a balance between pantsing and plotting. And I personally see story structures as an adventurer’s maps – you can have all the adventures you want to have by following your intuition, but occasionally you need the maps to take you where you want to go, especially when you get lost or stuck.

I used the 3-Act Structure for plotting my first novel, Deceived, but for my second and third manuscripts, I needed something more extensive as they are more complex than my earlier work, so I used the 4 Act Structure. In this article, I’ll be introducing the 4-Act Structure and its benefits and use. If you wish to know more about the 3-Act Structure then you can read the following articles I wrote a while ago:


The 4-Act-Structure: Introduction

the 4-act structure

What is the 4-Act Structure?

The 4-Act Structure is basically the broader version of the 3 Act Structure in which the elaborate ‘middle’ is broken into two separate acts. This method is very popular among writers especially those who write lengthy novels and the ones who struggle with the ‘infinite middle.’

  • Act-1: Setup of conflict
  • Act-2: Build-up
  • Act-3: Crises
  • Act-4: Resolution

Here’s a simple diagram to depict the 4-Act Structure:

This image is subject to copyright.

What are the advantages of using the 4-Act Structure?

There are many advantages to using the 4-act structure, just like any other outlining tool:

  1. It helps in dealing with the overall story better, in an organized manner (just like any other story structure.)
  2. It assists in specifically dealing with the problematic middle of the story – the 75% part of the story that is a bit vaguely structured in the 3-act structure of story writing.
  3. It encourages in figuring out the problems with the story plot and in combing out the plot holes that would inevitably make your story weak.
  4. It helps in understanding what exactly your story is lacking in order to make it into a near-perfect manuscript.
  5. It even aids in recognizing, and then getting rid of, the redundant scenes, side stories and subplots.
  6. It greatly helps in dealing with the most coveted enemy of any writer – writer’s block, when you get stuck in the inescapable limbo.
  7. It also serves, for many writers, as a quick fix to complete the drafts within a particular timeline. It’s not necessarily a short cut, but can definitely be viewed as an answer to many plot-progression related problems.

When should the 3-Sct Structure be used? Before starting the first draft, in between or at the of the nth draft?

Over the course of the last couple of years, I’ve discovered the hard way that it’s always best to first write the first draft by the seat of your pants, no matter if you consider yourself a planner or a pantster, because the first draft has to be as unadulterated and pure as can be, and that would be possible only if you let your imagination take over your mind and the muse and instinct guide your hands. The story structure, whether it is a 3-act structure or the 4-act structure or even the 9-act structure, should be applied for the first time to the first draft once it is complete. Then as you progress, it depends on how often you want to adjust your story according to the structure; you can do it while you write or revise your drafts or before or after that. It is entirely up to you.

I have come to realise that if the story structures are applied to the story in the initial stage of the conceiving of the plot, before or right after beginning the first draft (which is far too complex and difficult than one might think) then it corrupts the authenticity of the plot that otherwise might have been and makes it feel constrained. And such writing often results in an amateurish end product.

If you want a simpler story structure for your story, then read this: The 3-Act Structure: In Detail


If you are suffering from a writer’s block or are facing difficulty in getting ahead with your story, here are some articles I recommend:

Camp NaNoWriMo April’18

Hello world, I’m back from yet another break!

Like every year since 2014, I’m participating in Camp NaNoWriMo April’18. For this month I don’t have a lot planned out, but just a basic idea of what needs to be done. I’m mainly going to go for 2 things this time – sorting out the ending of Sinister Town and writing the first draft of a story I’d started as a short series flash-fiction, Jessie.

Over the last couple of months, I’d have some really good, strange, outright hilarious and some really amazeballs story ideas and, strangely enough, I wrote them all down. I never really write down random story ideas anymore, I used to write them down very carefully when I started out as a writer, but after I heard the invincible, and my writing idol, SK mention in one of his many speeches, that if you can’t remember an idea for a year (or basically a long time) then it’s not worth

working on. That was the point where I abandoned scribbling down ideas and, now that I reflect on it, maybe that was one of the reasons for my major writer’s block. Anyway, so I’d been writing down random ideas, mostly because I’d been in a writing slump lately (for like a year and a half now) and so I just wanted something different to write about – something random that would help me in ‘pantsing.’

So I have those story ideas to develop too. One of them is a dark elf story and I can already feel it coming together beautifully as a full-length novel. So I hope I have enough things to write and meet my goal of 50K words as I really need to get back into my usual flow of writing, something that I dearly miss!

I wish all of you who are participating in Camp Nano April all the very best!

Ciao ❤

Happy New Year – 2018

I’ve been continuously blogging over at TRB since December and also in the first week of 2018, so it feels weird to do my first post here SO LATE. Still, I have to do it to get past the “first-post-of-the-year” thing and get on with a much defined regular schedule of posts.

Late 2017 proved to be a really busy time for me as we shifted our home and got a kitten, Eva (more on this in my next post!) and everything just got overwhelming. Finally, things have settled into a steady rhythm and now I’m able to think of my weekly schedules and planning things.

For this blog, I’m reviving WOW – Word Of the Week so that at least I’ll have something to post regularly on the blog and also because I’m working on my vocabulary this year. So like before, WOW is going to be a weekly thing. I’m planning to post this every Saturday as Saturdays for me are quite relaxed.

I’ll try and post some short fiction or poems every month and will try and do a monthly round-up post, though I’m not promising anything.

I’m already working on my 2018 BuJo setup, 3 new story ideas and a couple of other things. I’ll be posting about random stuff more this year as my planned and scheduled posts take a lot of time for preps and stuff. And plus, I’ve discovered lately that I love random posts more than the planned ones.

Anyway, so here’s hoping that this year proves to be the best one for all of us. Cheers!

Ciao ❤

Quick Updates – #amwriting

I had planned for 2 short stories and 1 article on Writing to post in through April and May, but unfortunately, things got in the way (as they usually do) and I completely forgot about the drafts (some half-baked some ready to go up) sitting patiently on my dashboard. I thought I’ll get back to blogging regularly now by scheduling the posts – like I do with my reviews at The Reading Bud, but before that, I wanted to drop by and post updates about what’s been since 8th April, the last time I posted.

Updates –

Books:

  • Deceived has been entered for the Hindu Literary Prize 2017. Hindu is one of the top newspapers in India.
  • Deceived is being translated into Marathi (a regional language of Maharashtra, the State I live in.)
  • The English release of Deceived is set for 24th June and it might be a soft launch by the looks of it because we want to do a big launch cum release with at least 2 languages so most probably, that’ll be sometime in July as the translated Marathi version will be ready by then.
  • Deceived has crossed 66 ratings on Goodreads.
  • Deceived is now listed on Amazon.in (Amazon.com and other Amazons will still take another week or so.)
  • Book reviewers are loving Deceived and I’ve already made a few fans.
  • Sinister Town is going slow and steady and should be ready by the end of this year.

Work:

  • I have 3 Novel Critiques lined up for the coming days and I’m already booked until the 20th of July.
  • I have 1 editing lined up for the month of July so the rest of the July is also packed.
  • I’m working on 2 other projects for Citrus Publishers, mostly marketing and HR related.

Reading:

  • I suffered a reading slump in late March, hence wasn’t able to read much for the last two months. These are the only books I read since April: Under The Dome by Stephen King, Hannah’s Moon by John A. Heldt, Girl In Pieces by Kathleen Glasgow, Gerald’s Game by Stephen King, A Fatal Twist by Tracy Weber, The Shadow Over Innsmouth by H.P. Lovecraft, Something Needs Bleeding by Thomas Singer and Christopher Long, Writing Down The Bones by Natalie Goldberg, The Bronx Kill by Philip Cioffari and The Turn Of The Screw by Henry James
  • I have to read another 6 books by Grand Central Publishing, 2 by MM Publicity and 3 by EG Publicity for review. Other than these I have about 8 NetGalley books that I want to read ASAP and another 10 that I’ve bought. So I’ll be busy finishing these books in the coming weeks and months.

Personal:

  • We had an awesome holiday in mid-April in Goa. Lots of sunbathing and booze.
  • We’re shifting to a bigger house – a row-bungalow on 1st June. And now I can finally get my pets.
  • We’re planning a trip to Thailand in August.
  • Right after the vacation, we’ll start our hunt for the perfect kitten and GSD pup!
  • I developed a bad rash on my arms and later found out that I am allergic to UV rays. The rash was due to extreme sunbathing in Goa last month. So I’m just trying to stay away from the direct sunlight as much as possible. 😦

Right now I’m busy with the shifting, readying the house for the Packers and Movers, so I’ll be seeing you guys next week. Stay tuned to my Twitter as I’ll be sharing the new bungalow’s pics there.

Do let me know how you spent your month. I’d be more than happy to know what you’ve been up to!

Ciao ❤

Naming The Writer’s Unconscious – A Little Girl And Her Puppy

I always read craft books not once, but several times. I guess that’s the best way to really get the techniques and the wisdom they have to offer. Lately, I’ve been re-reading Bird By Bird by Anne Lamott and came across a concept, more like a paragraph or two, where author Lamott mentions about naming the unconscious:

“My friend Carpenter talks about the unconscious as the cellar where the little boy sits who creates the characters, and he hands them up to you through the cellar door. He might as well be cutting out paper dolls. he’s peaceful; he’s just playing.”

I paused at this particular bit, as I did the first time I read this book, and started thinking about how my unconscious would be?

Here she describes her friend’s version as a boy sitting in the cellar. But I don’t like the pictures of him sitting in confinement. I like her version of the unconscious better, “instead of a little kid, there’s a long-necked, good-natured Dr. Seuss character down there, grim with concentration and at the same time playing.”

So as I said earlier, I thought about my unconscious and this is what I came up with:

A Little Girl And Her Puppy

Image Courtesy: Pixabay

My unconscious, The Boy In The Cellar if you will, is a Little Girl. And this Little Girl is me, of course.

And the Little Girl is not alone; she has a puppy with her. A GSD puppy of about 4 months. And yes, this puppy is Tiger, my deceased pet.

So that’s my unconscious.

The Little Girl sits in the middle of the aangan of my childhood bungalow, on a stone-tiled floor on a thick faded rug called dari. She’s sitting cross-legged, wearing a beautiful white frock that hangs loosely from her thin wiry shoulders. Her dark-roasted-coffee-brown hair hanging down in waves reaching her waist.

Fair as she is, she has a small mouth and small ears but big brown curious eyes. She’s sitting with her coloring book sprawled luxuriously in front of her among her uncountable Camlin crayons of every color you could possibly imagine. They are the ones that her father gave her.

Now she’s bent over her book and scribbling away with cyan color. She looks happy today.

The Puppy is sitting beside her in a relaxed fashion that only 4-month-old puppies can manage. His head is resting on the girl small knee. He is looking at whatever the Little Girl is drawing with his droopy doggy eyes that look like they’re falling down. He’s a healthy Greman Shepherd and is big enough to come to her knees when she’s standing. He loves the Little Girl immensely and enjoys looking at her draw.

As I said, she looks good, happy. That makes me feel very good. And the important thing is she is not alone, she has the Puppy with her.

She loves drawing and therefore she is always drawing something or the other. Sometimes it takes her days, sometimes weeks and sometimes months or even years to complete a “masterpiece.” And when she’s done, she looks up from her work and calls me and hands me over those drawings.

Sometimes these drawings are so clear that I can clearly see what she has come up with, but sometimes they’re all blurred and abstract and it takes me a while to figure them out, to understand what is it that she wants me to see.

This is how my ideas come to me or rather delivered to me by my unconscious. The Little Girl is not a fragment of me, but she

The Little Girl is not a fragment of me, but she is me. This is how I get countless ideas for my books, characters, plots, sub-plots, short stories, flash fiction pieces, poems, etc.

This is how I write.


Takeaway:

If you are new to writing or if you are struggling with it, then I highly suggest this exercise. It’ll help you attain the very focus you need to center your creative mind.

What about you? Have you ever thought about how your unconscious works? Do you have a particular image of that unconscious?


Further Reading:

If you liked reading this article, then you might like these as well:

What Is Writer’s Block? And 3 Things to Keep In Mind

There are a lot of people who don’t believe in the existence of Writer’s Block, but let’s face it, even though you don’t want to name it, there are periods of time in every writer’s life when you simply can’t write (no matter how much you want to!) You can call it a “bad phase”, a stupor or whatever the hell you want it all comes down to the same thing – You can’t write sometimes.

No matter what you want to name it, the truth remains the same – This “bad time” or whatever you want to name it wastes a lot of precious time of writers that can be otherwise used for writing.

This is what is called Writer’s Block. Think of it as just something to name this condition for the sake of convenience.

It’s not all bad if you can recover from it in a short while, say a day or a couple of days or even a week. But it gets pretty bad if you simply can’t get over it for a long period of time, say a month. Or maybe more.

I’ve come across a lot of stories of writers giving up when they suffer a prolonged period of Writer’s Block and it greatly saddens me because this is not a solution. Giving up never is.

In 3 years of my full-time writing career, I’ve gone through multiple phases of Writer’s Block, both short and long spells. And if there’s something I’ve learned from each and every time, it is these 3 things:

1.  Make use of this time

Many of us use our extra time for writing. We get a day off, we write. We get an hour off, we write. We go on a vacation, we write. Being a full-time writer also, I use my extra time for writing, so I practically don’t get any free time for other things.

Use this “bad spell” to do the other things like weed the garden, take a small vacation with your family, do the house chores, spend time with your family and friends (god only knows how limited time writers get to spend with others), go for swimming, movies, or do anything else that either needs to be done, or you’ve wanted to do but couldn’t because of writing.

2. Keep feeding your creative mind

Just because you can’t write doesn’t mean you can’t read, or draw or do research or can’t do anything else that’ll work as a fodder for your creative mind.

Remember, our minds are like a sponge, they keep on absorbing and observing things. So when you’re not writing, either read books in your genre or read some refreshing new genre, or sing or dance or do something that you like. But again, don’t do anything that stresses you. You’re just doing these things for yourself, not to please others.

I watch a lot of movies and read a lot of books, both in my genre of writing. It always helps me.

3. Don’t give up

It’s okay to take a break. In fact, the way I see it, Writer’s Block is a way for our mind to tell us to take a break. If you’ll notice it generally happens after you’ve spent a considerable time working on your writing projects.

So listen to your mind and give it a rest.

You’ll always bounce back eventually.

Takeaway:

Don’t over think. Relax and take a calming breath. Your mind simply needs a break, it is NOT giving up on writing. So do what you want to do, keep in touch with your creative side and don’t ever think of giving up.

In case if the Writer Block doesn’t go away after a while, then face the truth – It’s not the Writer’s Block, it’s you. You (maybe your subconscious self) are making reasons and coming up with stupid excuses to not to write. So get on your ass and start writing. It’ll be hard, but who said writing will be easy?

Do not give up.

What are your experiences with Writer’s Block?


Further Reading:

10 Questions To Help You Determine The POV(s) For Your Story

Choosing the main Point Of View(s) for your story is either the simplest or the hardest thing you’ll ever come across while writing your book. Determining the voice which narrates or unfolds your story is a tricky thing because if you select the wrong one your story is doomed.

Sometimes (a few precious instances), you don’t have to think about the POV because either you already have it figured out even before starting the story or know which one comes more naturally to you, the one that suits your writing style and feels like the perfect fit for your story. If you find yourself in this situation then consider yourself very lucky because otherwise, you might have a very hard time figuring it out.

question-1243504_640Rest of the time (i.e., for the majority of your writing career), you won’t know how to go about determining the POV for your story. This happens mainly due to the unyielding need for perfectionism. You want your story to be perfect (obviously!) but you can’t figure out which should be the main or the central voice that tells the story.
Ideally, more than half of the times the answer lies in using multiple POVs, but that comes with another set of problems that I’ll be covering in my next article relating to POVs. But what if you don’t know which multiple POVs to use?

When stuck in the latter situation, you’ll find yourself in a dark endless pit which will drive you to the brink of giving up, and we certainly do not want that. So to make the process of selecting the perfect POV(s) for your story, I’ve come up with a list of 10 questions that you need to ask yourself in order to get the answer to your POV worries.

The 10 Questions:

  1. How much you want to reveal? And how much you want to hold back?
  2. Whose perspective will be interesting for the reader?
  3. Who’s in the middle of most of the conflicts?
  4. How much information about the plot/story you want to reveal?
  5. How much information about the character you want to reveal?
  6. How it’ll affect the pacing of the story?
  7. What are you comfortable with? First person? Second Person? Or Third Person?
  8. How’d you like the reader to perceive your character and story line?
  9. Are there any parts of the story that need to be shown through different perspectives or through scenes that don’t have the main POV character(s) in them?
  10. How many stories are you trying to tell? And are these stories a part of the main story?

The process doesn’t end here. Once you’ve asked these questions to yourself, it’s imperative that you don’t only answer these questions truthfully but also try to understand them in detail so as not to mess it up. Once you’ve laid out the answers, 99% of the times you’ll be able to figure out the POV(s) for your story. The remaining 1% is your gut feeling which will either confirm your decision and make you feel like you’ve conquered the world or (at it happens to me most of the times) will make you doubt everything you just did and will force you to repeat the entire exercise again (and again, till you get it right.)

If you want my advice, never ignore the gut feeling. Otherwise, you’ll regret it later on.

Watch my video podcast on 10 Questions To Help You Determine The POV(s) For Your Story:

If you have any doubts regarding this post or want to share your experiences or anecdotes then please leave a comment below.

Further Reading: